About Skibinskipedia™

Design, Architecture, Photography & Urbanitas from NYC™
B Dean Skibinski, Proprietor.

Skibinskipedia™ is the online wunderkammer of B Dean Skibinski, a graphic designer and writer based in New York City. Launched in 2010, it has since been a repository of inspirations and links related to design, architecture, art, film, literature, music, photography, and, of course, New York City. I take great care to either retain or add accurate attribution to each post, but if for some reason any citations are missing or incorrect, please don't hesitate to let me know. Additionally, if work I've featured is yours and you for some reason don't want it featured, I shall be happy to remove it upon your request. Please email or message me as you wish.


“I had a collection of songs that I thought were really strong. I took them in [and] played them for the record company. They weren’t interested. They told me they were too dark. They wanted me to have international radio hits and ‘be the Annie Lennox of my generation.’ I kid you not; I am quoting directly. I just thought, Fuck this.”

—Shirley Manson, from “Q&A: Shirley Manson and Butch Vig of Garbage Talk About Their Comeback, and Why Manson was the Lana Del Rey of the 90s”.

“I had a collection of songs that I thought were really strong. I took them in [and] played them for the record company. They weren’t interested. They told me they were too dark. They wanted me to have international radio hits and ‘be the Annie Lennox of my generation.’ I kid you not; I am quoting directly. I just thought, Fuck this.”

—Shirley Manson, from “Q&A: Shirley Manson and Butch Vig of Garbage Talk About Their Comeback, and Why Manson was the Lana Del Rey of the 90s”.

Posted on Thursday, March 22nd 2012

Source vanityfair.com

jonnodotcom:

Bongwater
“Obscene and Pornographic Art”
1991

“Mr. B’s out of town and I can’t find anyone to have an affair with.
So I just mosey on down to the Metropolitan Museum of Art
to look at all the satyrs with hard-ons.
They’re over there next to the medieval armor,
their bronze muscles flexing under their goat fur loincloths,
vibrating that little-bitty Richter scale-looking thingy box
that sits in the corner of the controlled environment
behind the cold hard glass … “

(see also, and previously)

Basically this was on repeat throughout my entire undergraduate education. Love.

Posted on Thursday, March 22nd 2012

Reblogged from JONNO.com*

Anti-nostalgia

“In New York City, there are very real concerns about the cost of living, and whether we are creating a city so dense and so expensive that it will repel diversity, both ethnic and economic. That diversity is vital, and correct, particularly as the city contemplates ways to accommodate a population boom over the next ten years.

“But the rest is just nostalgia. We New Yorkers are thought of as a nostalgic bunch, but that’s not quite right. We archive and study the past because we know here in a way that they can’t quite know in Mayberry that things change all the time, and we want to remember all of it. We want to understand all of it, and here, nothing lasts long enough to be understood in its actual lifetime.

“When it comes to ‘knowing’ New York City, the line that I think of is Chaucer’s version of one of the oldest proverbs of antiquity: ‘The lyf so short, the craft so longe to lerne.’”

Tom McGeveran in our newsletter. Have you signed up yet?

[via capitalnewyork]

Posted on Thursday, March 22nd 2012

Reblogged from Capital New York