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Miles Thurlow
Detail, Untitled
(Erased Black Board Series)
2004thanks to defacedbook
Tags Art Photography Miles Thurlow 2000s
Reblogged from Magnificent Ruin Source magnificentruin
New York. Manhattan. Reflets by Francis Bataille
Tags Photography Black and White Cityscape New York City Francis Bataille 2000s
Reblogged from First Time User Source firsttimeuser
Anne Collier
New Beginning, 2007
C-print, framed
(100.5 x 126.5 cm)
Tags Art Typography Anne Collier 2000s
Reblogged from Source defacedbook
Gerhard Richter
Detail: White
2006via erasing
Tags Art Gerhard Richter White 2000s
Reblogged from Magnificent Ruin Source magnificentruin
![“The Ides of March are come.”
“Yes, they are come, but they are not past.”
[Image: Erwin Olaf, Julius Caesar +44 B.C., from the Royal Blood series, 2000.]](http://25.media.tumblr.com/tumblr_m0xbjs4ud01qds6xzo1_250.jpg)
“The Ides of March are come.”
“Yes, they are come, but they are not past.”
[Image: Erwin Olaf, Julius Caesar +44 B.C., from the Royal Blood series, 2000.]
![“Drawing is a revelation of the soul, of your personal situation. Even if a comic book artist spent his whole life drawing yoghurt cups, you would still see his most secret and most deranging sensibility emerge.”—Jean “Mœbius” Giraud
[Image: Mœbius, Self Portrait, 2000, via Phaidon.]](http://24.media.tumblr.com/tumblr_m0rtmsvRnD1qds6xzo1_250.jpg)
“Drawing is a revelation of the soul, of your personal situation. Even if a comic book artist spent his whole life drawing yoghurt cups, you would still see his most secret and most deranging sensibility emerge.”
—Jean “Mœbius” Giraud
[Image: Mœbius, Self Portrait, 2000, via Phaidon.]
![chagalov:
Agnès Varda, Autoportrait morcelé, 2006 [+]
You know, the boundaries between contemporary art and cinema are so rigid. It’s unbelievable. The film critics don’t know my artwork and the art world doesn’t know my films.— Agnès Varda, interviewed by Liza Bear, 2009 [read here]
from connaissancedesarts](http://24.media.tumblr.com/tumblr_m0i45r8zdB1qcl8ymo1_1280.jpg)
Agnès Varda, Autoportrait morcelé, 2006 [+]
You know, the boundaries between contemporary art and cinema are so rigid. It’s unbelievable. The film critics don’t know my artwork and the art world doesn’t know my films.
— Agnès Varda, interviewed by Liza Bear, 2009 [read here]from connaissancedesarts
Tags Art Film Interviews Agnès Varda Self-Portraits 2000s
Reblogged from T for tout Source chagalov
Aino Kanisto, Untitled (Black Water), 1998 (top); Untitled (Woman on Floor), 2007 (bottom)
Tags Aino Kanisto Ben Frost Photography Color 1990s 2000s
Reblogged from Nikola Tamindzic on Tumblr Source homeofthevain
I watched him with growing intensity as he refilled the pipe in the dark and smokey din of the room. He delicately fingered what looked like dried moss to me, and it struck me then that I liked Sean because he looked, well, slutty. A boy who’d been around. A boy who couldn’t remember if he was Catholic or not.
![melisaki:
Architecture of Density #39
photo by Michael Wolf, 2005
[previously | more Wolf]](http://25.media.tumblr.com/tumblr_lznwdkawQC1qzfye6o1_1280.jpg)
Architecture of Density #39
photo by Michael Wolf, 2005
[previously | more Wolf]
Notes