bohemea:

Bette Davis

oldhollywood:

Anita Ekberg warming up on the set of La Dolce Vita after wading in the Trevi Fountain (1959) (via)

“Anita Ekberg was a glorious apparition! She was like phosphorus, an extraterrestrial with a lunar pallor in her face and hair. It’s been a long time since I saw Anita. Watching her weather so many seasons as she has…I particularly appreciate her because in one of my films, a filmetto called Intervista, I narrated a visit with Mastroianni to her villa in the country. She’s a woman of a certain age who’s put on weight, who lives with her dogs and ducks, like a happy peasant.

And I saw she’d aged gracefully, a tranquil aging, sober, wise…She’s no longer the glorious diva, the Olympian she once was but she seems to me a beautiful example of serenity.”

-Federico Fellini, 1993 (via)

bbook:

Narrator: [about the soap] Tyler sold his soap to department stores at $20 a bar. Lord knows what they charged. It was beautiful. We were selling rich women their own fat asses back to them.

bbook:

Raleigh: You made a cuckold of me.
Margot: I know.
Raleigh: Many times over.
Margot: So sorry.

redvelvetteacake:

But if Paris, Texas is a love letter to America and American cinema, it now also has something of the feel of a farewell. The world to which Wenders pays homage is vanishing fast: not the desert, which is close to eternal, but the pay phones and diners and motels that used to line the approach to every small U.S. town, now replaced by cell phones and McDonald’s and multistory Doubletree Hotels and Quality Inns. All offer a sterile, branded comfort—and all deny the lure of the road, the impulse to keep moving, by affirming that, nowadays, however far you go, it’s still going to look just like home.

Maybe, as he fades back into the Texan darkness, Travis knows more than we thought. These days, Paris, Texas is not just an odyssey: it’s an elegy too.

bbook:

Films today show only a dream world and have lost touch with the way people really are…In this country, people die at 21. They die emotionally at 21, maybe younger…My responsibility as an artist is to help people get past 21… The films are a roadmap through emotional and intellectual terrain that provides a solution on how to save pain.

beautilation:

The Shining (room 237)

Auto 237 Reblog.